“I discovered Dichroic glass when I was at the Royal College of Art and I was absolutely fascinated by it, however, every time I tried to use it - it just looked too busy! I played with it for over 10 years before I worked out how to use it successfully. I’d moved to the fens in East Anglia and was working with reflective materials against the strong lines of the fenland landscape – it was this that inspired the mathematically engineered approach I use to contain the dichroic effects. If you’re interested in light, glass is the material you naturally gravitate towards, and dichroic is the most eloquent description of the magic of light.”
— Founding Director/ Artist Chris Wood